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The Advantages to E-Newsletters

by Anna Rose Bain on 2/5/2010 3:32:03 PM

This post is by guest author, Anna Rose BainThis article has been edited and published with the author's permission. You should submit an article and share your views as a guest author by clicking here.

Classical artists, living in a world that relies on modern technology, must find a way to keep up. Many artists have been on the bandwagon for years now, but I personally discovered the advantages to having an email newsletter just recently. I started my monthly newsletter this past summer as a way of keeping in touch with former, current, and prospective clients.  Based on past experience, a client would commission me to do a portrait, but eventually forget about me after the portrait had been hanging on their wall for a time, even if they were thrilled with the results.  Or, a prospective client, though interested, may get distracted by other purchases and investments and forget that they wanted to commission me in the first place.  My newsletter is a way of staying in their circle, keeping them updated on my current available works, and helping them remember that I'm still in business.  I want them to know that I am always available and ready to take on a project whenever they're ready.

Another great reason for having an e-newsletter is art education. Often, people are afraid to commission work or buy fine art because they "don't know anything about art."  In their mind, artist pricing may seem extravagant, or four months may seem like an unnecessary amount of time to complete a commission.  My goal is to answer their questions, educating them on the process of my craft by giving them a glimpse into the life of an artist through "inside looks" at unfinished paintings and works in progress, and through step-by-step descriptions of how a painting is created, start to finish.  Even though I feel vulnerable sharing my unfinished paintings, they have gotten such a positive response that I feel I must continue, if only to keep my readers interested and looking forward to the next newsletter!

I also like to keep clients updated on current events I'm attending, including workshops and conferences. This way, they will know I am constantly striving to improve my skill.  Other events I always include in my newsletter are art festivals and exhibitions, so that clients can come and see my work in person if they wish to.  At past art shows, I've had a notebook in my booth for interested visitors to sign up to receive my e-newsletter.  This is a good way to build a prospective client base and start forming relationships.

Finally, one of the best things about having an email newsletter is that I am getting my work out there on a regular basis without sending spam mail or subjecting my readers to annoying repetition. There is (hopefully!) always something new to show them, and always something interesting to tell them, because being an artist simply is interesting.  The more I can convey that message, the more people will want to see my work and eventually buy it!

So far, the results have been positive. Since I am still young and pretty much unknown, I don't expect results to happen overnight.  My goal is grow my client base 100-fold by making my paintings and my e-newsletters so professional and beautiful that everyone who currently receives my newsletter will want to pass it on to family and friends. I've recently been encouraged by several sales that have happened as a direct result of sending out my newsletter, so I know I'm on the right track.

So to recap, there are several reasons why a newsletter is a good idea.  (1) The more your readers hear from you, the more they'll remember you, buy your work, and refer you to their friends. (2)  The newsletter will educate those who know little or nothing about art.  (3) Readers stay updated on events so that they can have a chance of seeing the artist's work in person if they live nearby.  (4)  You'll be getting your work out there.

Preferably, you'll be sending email newsletters in HTML, which provides a much more pleasing layout and includes variety in color, text, and most importantly, images. There are several free websites that can help you set up an HTML newsletter.  I create mine in a webpage building program such as Dreamweaver or Evrsoft First Page, but you can try any number of free
online programs by Googling "HTML newsletters". Even if you aren't ready to work with HTML, at least start compiling a list of past, current, and prospective clients to email or snail-mail information to.  It's not too late to start making and maintaining those invaluable connections!




Related Posts
I'm Not Surprised Your Art Isn't Selling . . .

Who Can You Send Email Newsletters?

Finding Your Collectors

Art Marketing with Email Newsletters - Stories from the Wild

The Power of the Email Newlstter....and FASO

Blog vs. Email Newsletter


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BoldBrush Contest: Monthly Online Painting Contest with over $4,000 in awards.
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Topics: art marketing

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 29 Comments

JT Harding
via fineartviews.com
Great article. All good reason to have an eNewsletter. I have already recouped the cost of my FASO eNewsletter from the commissions and sales it has generated.
Eva
via fineartviews.com
Excellent post. Thank you.
Esther J. Williams
via fineartviews.com
Hello Anna, great article, but I clicked on your link within your name at the top of the page and it says, Page Not Found. I wanted to see your work on your website.
I like the fact that people are interested in seeing the progress of a painting. I have done that on my blogs, I heard a positive response from that. I did not think to place painting processes in the enewsletter.
Guess I will try that next time!
Anna Rose Bain
via fineartviews.com
Thanks for the feedback! I noticed the link was not working as well... someone needs to work on their HTML :) My website is www.annasblankcanvas.com and you can click on the "Newsletter" page to view past issues or subscribe to future e-mails.
Editor
via fineartviews.com
Apologies ladies...the link has been fixed!
Sharon Weaver
via fineartviews.com
How appropriate. I was just now doing my newsletter on my FASO website. Knowing that the people I am sending my newsletter out to actually signed up for it makes writing it a whole lot of fun. For me it is a continuing dialog between friends.
Carol Schmauder
via fineartviews.com
Someone mentioned e-mail newsletters previously and this is a great reminder of how effective they can be. I added a link on my web site for people to sign up recently and am hoping to get some response. Sadly, my mailing list doesn't have e-mail addresses on it, however I am thinking of sending a card with a piece of my artwork on the front to each person who has purchased my work in the past and asking them If they would like to be on my e-mail newsletter list. Hopefully this is appropriate. I will be sure to have a section to list e-mail addresses to my guest book at the next showing I have. Thanks for your article.
Kelly Fitzgerald
via fineartviews.com
Thanks for this article Anna. I was just working on my new email newsletter plan today. My first step is to send a regular email to everyone on my list and ask them first, if they would like to be on my new e-newsletter list, as that seems to be the polite thing to do.
I signed up with a free HTML email marketing service called MailChimp. They are awesome! Cheers!
Carol Schmauder
via fineartviews.com
BTW Anna, your link works fine now. I clicked on it and was taken right to your site. Your site is very nice.
Anna Rose Bain
via fineartviews.com
Thank you, all! Carol and Kelly: you have some great ideas! I think it's wonderful to send out some cards via snail mail, asking if they'd like to sign up for your e-newsletter. Although most people will enjoy getting your newsletters, make sure you always include a link or a method of some kind for someone to unsubscribe if they choose to. Thanks again for the comments!
Leslie Saeta
via fineartviews.com
Great article. The nice thing about an e-newsletter is that it is probably one of the most inexpensive ways to promote your art! There is very little investment required and it works. I started my newsletter a little under a year ago and the results have been amazing. I cannot believe how many people have contacted me as a result. Just remember ... go with a soft sell, educational approach. Inform your readers and they will look forward to your newsletter.
Kelly Fitzgerald
via fineartviews.com
Well said Leslie, I couldn't agree with you more. Nice work too by the way. :o)
Stede
via fineartviews.com
Anna, what a beautiful article. One quality of good newsletters and blogs I've heard amphasized is authenticity...yours comes through.

I enjoy the feeling in your work...how wonderful to be "young" and have the patience and tools to develop your talent and career!

Thanks for the article, and all the best.
Judy Mudd
via fineartviews.com
These are all great points and a newsletter appears to be invaluable, especially when marketing your artwork yourself. This encourages me to get on track with starting a newsletter. Thanks for a well-written and informative post!
Jeanean Songco Martin
via fineartviews.com
Having a monthly newsletter was one of the best things that I could have done for myself and I highly recommend it to every artist. In the beginning I was a little reticent and had a hard time composing the letter. I questioned my own "worthiness" and wondered did my art career deserve to be highlighted each month. My reluctance to "brag" about my accomplishments and "show off" my latest paintings was a real hurdle that needed to be addressed.

To my surprise after sending out the very first newsletter I received so many positive responses and encouraging words that I quickly got over the insecurities and doubts and now enjoy "sharing" my latest paintings and accomplishments. Not to mention the benefits of being able to advertise my workshops and also great art shows that have moved me and hopefully will bring others to see and open discussions.

Having a monthly newsletter also encourages and motivates my work to come to some kind of conclusion. There are still many paintings that hang around in limbo gathering dust but ones that I am feeling good about and know that they have merit I am just itching to post on my newsletter.
I hope you will all consider starting your own!

jeanean
Leslie Saeta
via fineartviews.com
A few last comments about newsletters. If you are thinking about giving it a try, start with your email list. Go through your inbox and add everyone you know. Them add a link on your website and blog that allows visitors to sign up for your newsletter.
Your first newsletter will be the hardest as you will build a template for all of your future newsletters. Once you are ready, send a test email to a few friends and artists that will give you feedback. Don't hesitate to incorporate their changes. Finally, be sure to link all of your paintings and articles in your newsletter to your website and blog. That way you will be sure to direct everyone to your art!
Cooper
via fineartviews.com
Good morning! This will undoubtedly sound like a commercial, but then, oh well!
Anna, I read your great article, got to the place where your started talking about Dreamweaver or Evrsoft, and was instantly sorry for the people who have to deal with those. Then Leslie chimed in with her info about it's easy once you get your templates set up. How long does it take to learn all those things, and wouldn't the time be better spent painting? At the bottom of the article Clint put in a note about the FASO newsletter system. Folks, use it! All you have to do is type in your stuff. I don't even know what HTML means (don't want to know!) Sometimes we spread ourselves too thin, trying to know all-be all, it's ok to let someone else handle part of it on occasion!
Later, Cooper
Leslie Saeta
via fineartviews.com
I dont use FASO but only because I already had my own website. Had I known about FASO earlier, I definitely would have signed up for it! So I use Constant Contact and I don't need to know anything about HTML either. The few hours it takes to set up the first one, plus the time it takes to build your email list, is time well spent away from the studio, regardless of which newsletter program you use. I sold four paintings as a result of my January newsletter that I would not have sold otherwise. It is worth it!
Anna Rose Bain
via fineartviews.com
Thank you, Leslie and Cooper for your comments about HTML. It's true that if you can use FASO or MailChimp or some other newsletter-building site that does all the work for you, you will save yourself the headache of trying to learn HTML, as well as preserve that invaluable time in the studio! Marketing is so important though because it keeps you "alive" on the web and in client's inboxes. Keep up the great insights - I love hearing everyone's input!
Diane Tasselmyer
via fineartviews.com
That was a terrific post. And now that I have the newsletter included in my website at FASO I can't think of an easier way to "stay in my collector clan's circle" I am going to publish my newsletter more often than every two months. I have a lot to share with people. And if you don't want to spend precious painting time on internet technology, use this newsletter at FASO. it's easy.....and easy is good.
Cheryl King
via fineartviews.com
Loved reading today's article on e-newsletters! I have been sending out a monthly one for 3 years now and everything Anna Rose said is true. My original impetus for doing so was that I got weary of hearing from people, "Oh I have been meaning to commission you for a painting for a long time now." And then they would forget. I figured if I could take myself and my art out of the back lobe of their brains and insert myself into the foreground then I would have a better chance of them acting upon their wishes. Over time it only gets better and better!
Lorraine Khachatourians
via fineartviews.com
I am one of those who has been foot-dragging about a newsletter, but this article has some very good points that have made me rethink the idea. I also like the idea of 'works in progress'. I just did this with a recent painting, and I find it also helps me to see where I am going and where to make adjustments etc. Good article!
Judy Mudd
via fineartviews.com
I agree with Leslie...I don't have a FASO site either because I've had my own site for several years but would absolutely use FASO if I was starting now. In fact, in the next month, I'm teaching an art class about websites, blogs etc. and will be advising my students to check out what FASO has to offer before making a decision on a site. It appears to have "value added" features and this blog is one of them. Very informative.
Lee McVey
via fineartviews.com
Anna, I enjoyed your article on e-newsletters. It was timely since I am currently working on the 2nd issue of my e-newsletter now.

Snail mail newsletters are helpful too. I write one to include in my yearly holiday card. With my last one, I had a sale as a result of the paintings reproduced in my newsletter.
Carole Rodrigue
via fineartviews.com
Thanks for the great advice. I also started working on a newsletter for the first time. I've got a draft copy that I'm working on and am waiting a little in order to add more before I send it out. The advice about the HTML is just what I was missing. Thanks for that bit of info!
Stede Barber
via fineartviews.com
You are all inspiring, thank you! Learning how to include pics is the last step before sending out my first newsletter, using FASO...then I look forward to starting a blog...
Teddy Jackson
via fineartviews.com
Anna:
Thank you for the information about ENewsletters.
Mailing a quarterly ENewletter was one of my resolutions for 2010. I posted my first ENewletter in Nov. or Dec. of 2009. I am now writing my second newsletter. Thanks to the comments, I will feel comfortable posting images depicting "work in progress" of my most recent paintings.
In 2009, I posted a new painting for each week of the year. They were all 11X14s, which listed for $109 unframed (just a promotion for 2009).
The ones that sold were all framed, so the pricing was more in the $200 range. "A Painting a Week" certainly drives you to the studio with regularity. I recommend this challenge to everyone.
Got to get moving on my next ENewsletter.
Thanks to Anna and everyone.
Teddy
Barney Davey
via fineartviews.com
This is a very good article and a strong reminder of the importance of capturing email addresses. You spend time and money to build a Website, blog or Facebook presence. One of the best ways to get a return is by building an email database to send your messages.
Donald Smith
via fineartviews.com
Thanks Anna!

I'm convinced I should start a newsletter. Now IF I can just figure out how to get my webpage setup to do that.... :)

Donald









 
 

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